OP: [last year][1], I shared how I was using AI day-to-day as an ordinary engineer. This year, I did it again!
It's crazy realizing that Claude Code only started getting big in the last year or so. It feels so different now, with all the new models & tools we have to use. I hope you enjoy!
you can totally tell Claude to take some AI technical writing (which is, to be clear, writing where you explicitly need to not sound creative or interesting, and you need to maintain very strict "voice" [a term I only even know because claude explained it to me] so this is not a creative endeavor) and make it sound "less AI". At least working with opus 5.5, textual output already has a lot fewer of the colons and "load bearing" of a few months ago, and if a PR does have that kind of lingo I can just have Claude rewrite it "like a human" and it does great.
Controversial take: AI music is more interesting than the autotuned, quantized, mass-market-optimized slop that dominates contemporary pop "music".
I walked into a paint store recently and there was some genuinely interesting music playing on the PA. It was some sort of spanish-language 80s new wave I'd never heard before. It had a nice groove. I asked the guy at the counter about it and I was genuinely surprised to find out it was AI.
So... was it as good as great music? No. But it beat the hell out of muzak. And it was genuinely novel in a way that pop music isn't. I will sacrifice a lot of pride for novelty.
OP: [last year][1], I shared how I was using AI day-to-day as an ordinary engineer. This year, I did it again!
It's crazy realizing that Claude Code only started getting big in the last year or so. It feels so different now, with all the new models & tools we have to use. I hope you enjoy!
[1]: https://ben.stolovitz.com/posts/how_use_ai_oct_2025
you can totally tell Claude to take some AI technical writing (which is, to be clear, writing where you explicitly need to not sound creative or interesting, and you need to maintain very strict "voice" [a term I only even know because claude explained it to me] so this is not a creative endeavor) and make it sound "less AI". At least working with opus 5.5, textual output already has a lot fewer of the colons and "load bearing" of a few months ago, and if a PR does have that kind of lingo I can just have Claude rewrite it "like a human" and it does great.
>I’m really enjoying some AI music
I think I would rather shoot myself in the head
Controversial take: AI music is more interesting than the autotuned, quantized, mass-market-optimized slop that dominates contemporary pop "music".
I walked into a paint store recently and there was some genuinely interesting music playing on the PA. It was some sort of spanish-language 80s new wave I'd never heard before. It had a nice groove. I asked the guy at the counter about it and I was genuinely surprised to find out it was AI.
So... was it as good as great music? No. But it beat the hell out of muzak. And it was genuinely novel in a way that pop music isn't. I will sacrifice a lot of pride for novelty.
TIL: AI Doompop