„Sadly, the remaster is a fiasco. The soft tones of “Computer Love” become sharp, the wide spaces of “Home Computer” contract into tunnels, and “Pocket Calculator” bears down on us like a spiked ceiling in a horror film. Equally poor is the remastered Radio-activity, where atmospheric crackles and hisses have been removed by noise reduction software. For pity’s sake, they’re part of the music! Autobahn, Trans-Europe Express and The Man-Machine have less sound-quality issues, but are all inferior to the original EMI CDs. Anyone planning to buy the 8CD …The Catalogue, would be well-advised to sample an individual remaster first.
Hütter is within his rights to tinker with Kraftwerk’s canon as he wishes, but a botched Kraftwerk remaster series is a bitter disappointment nevertheless. It’s not such an issue, thankfully, with the remaining three LPS: the lean, industrial Techno Pop (a re-titled Electric Café with added track “House Phone”); The Mix (1991), a surprisingly addictive re-imagining of 11 classic tracks in a dancefloor context; and Tour De France (2003), a cycling fetishist’s techno headphone soundtrack with a gorgeous five-note motif. For those who’ll never sport the yellow jersey, have no fear. It also works its magic if you’re on an exercise bike.“
„Sadly, the remaster is a fiasco. The soft tones of “Computer Love” become sharp, the wide spaces of “Home Computer” contract into tunnels, and “Pocket Calculator” bears down on us like a spiked ceiling in a horror film. Equally poor is the remastered Radio-activity, where atmospheric crackles and hisses have been removed by noise reduction software. For pity’s sake, they’re part of the music! Autobahn, Trans-Europe Express and The Man-Machine have less sound-quality issues, but are all inferior to the original EMI CDs. Anyone planning to buy the 8CD …The Catalogue, would be well-advised to sample an individual remaster first.
Hütter is within his rights to tinker with Kraftwerk’s canon as he wishes, but a botched Kraftwerk remaster series is a bitter disappointment nevertheless. It’s not such an issue, thankfully, with the remaining three LPS: the lean, industrial Techno Pop (a re-titled Electric Café with added track “House Phone”); The Mix (1991), a surprisingly addictive re-imagining of 11 classic tracks in a dancefloor context; and Tour De France (2003), a cycling fetishist’s techno headphone soundtrack with a gorgeous five-note motif. For those who’ll never sport the yellow jersey, have no fear. It also works its magic if you’re on an exercise bike.“